From January to the end of June, I was in Wyoming with my Dad as he transitioned to life without my Mom. I had a birthday while I was there, and my lovely bride sent me a book titled zen camera creative awakening with a daily practice in photography by David Ulrich. The book has been an enjoyable read, providing insight into the creative process instead of technical information. In the last couple days, I read a section titled ‘Beginner’s Mind.’ Two paragraphs in, the author says, “Always be a beginner.” The discussion then focuses on past experiences coloring what one does and thinks, and transitions into a discussion of why photography can change the pattern.
“Photography is an ideal entry to the beginner’s mind. It invites fresh seeing. It enlivens the commonplace, and can radically open your mind to what is. Since the world is always new – no moment ever repeats itself – you must flexibly adapt behind a camera.” (emphasis added)
The format of the book is discussion followed by practical exercises, identified by the title ‘TRY:’ In the ‘TRY: Cultivate Beginner’s Mind’ section, Ulrich writes, “Artists and photographers often engage the unending search for what is new and fresh. They shake things up from time to time, trying to break free of well-worn grooves of thought and expression. They resolve not to solely rely on past accomplishments. Innovation looks toward the future. However, newness for its own sake is a double edged sword. It can lead to gimmicks or forced behavior just to be different. I prefer the word freshness, like ripe fruit before it stales.”
As I read the book, I reflected on my photographic journey – the excitement of learning a new technique, trying new camera settings, seeing a different perspective of a longer lens or shorter lens. I appreciated the information provided by the author as much of my passion for photography and excitement to continue comes from the freshness of these new or different concepts. For some time, I realized that my view of the world has changed. I look at the light and the contrast the light creates. I evaluate all that I see with an eye to composing an image and then consider how I would record it. In some ways,
In some ways, I have gotten complacent. I know what I like (and don’t like) in an image of a raptor. I have my workflow for shooting a landscape and processing the image on the computer. I’ll heed Ulrich’s advice, however, and try to look at the world anew, with a fresh eye.
Recall that during last year’s fall colors, I was on the road working for FEMA and missed it. I’ve made up for it a little this year, catching color in Colorado and Nevada.
Enjoy – PHOTOROGR