The Digital Darkroom – How Much is Too Much?

“Owing to an inherently mechanical nature, a camera (be it film or digital) essentially produces raw images that, on their own, are rarely able to adequately communicate the enigmatic complexities and expressive nuances of a subsequently crafted fine art photograph. Post-camera image manipulation has always been a basic tenant of the photography process.”

That’s how Huntington Witherill started his article ‘Beyond the Camera’ in the November 2018 issue of Outdoor Photographer magazine. It caught my attention immediately! I enjoy reading Outdoor Photographer and have used information from its wonderful articles in previous posts. In the article, Witherill describes the time he got to visually inspect an original 8 x 10 inch negative produced by Edward Weston circa 1930. The negative had “…what appeared to be a considerable amount of pencil scrawling on the emulsion side …” Kim Weston, Edward’s grandson, explained that “…Edward had often used very soft pencils (and a small light-table…) in order to build density in chosen areas of his negatives…” After this experience, Witherill realized that what he refers to as ‘post-camera image management techniques’ “…comprise not only a significant part of the overall photographic process but also, in many respects, the very essence of photography technique.” He continued, “…post-camera image management techniques are a necessary and integral part of the overall photography process.”

Witherill talks about having a strong foundation in “…photography technique and craft…” to take what one sees, combined with knowledge of what a camera can record, and create a finished visual record. His process begins with knowing your equipment so you can start with a strong foundation (what I would call the best exposure) to build on using post-camera tools and techniques. The article talks about artistic expression and making the image say what the photographer wants it to say.

In the several years since I’ve been pursuing photography seriously, I’ve had similar discussions with my friends and mentors. Many of my friends have backgrounds in photojournalism which doesn’t allow for manipulation, save for minor dodging and burning (darkening or lightening) areas of an image. Other friends document events for clients, where the volume of images made does not allow time for post processing.

I consider myself an artist. I am not documenting, rather I am recording for artistic purposes. I have always favored manipulating my images, and have worked to make the subjects closely resemble the moment as I remembered it. After reading this article, however, I decided to pursue more artistic interpretations, depending on the subject.

I think it’s gonna be a lot of fun! And so, how much is too much? Only time – and future images – will tell.

With this new creative process, I have been playing with some images. The images below show a ‘straight’ version compared to  what I call a ‘more radical’ interpretation. As always, feedback is appreciated.

Enjoy – PHOTOROGR

This is an American Kestrel, processed to highlight the details of the raptor.

Same image, a little softer.

The beautiful Sierra Nevada Mountains. I used a Topaz filter to make the composition a little bit abstract. I think this filter minimizes the foreground, accentuates the sky, and maintains the integrity of the beauty of the mountains.

The same image with a Nik filter to maintain the details but give more depth to the colors.

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Shoot More….Share More!

A couple weeks ago, one of my photo buddies asked the question, ‘What are your photography goals for 2019?’ It’s a powerful question, asked during the frenzy of Christmas preparations so I had to stop and think about it.  After a couple days, I realized that I only had a couple photography goals for 2019: Shoot More – Share More!

My world had been disrupted so much in 2018 that my shooting had slowed to just a few times a month and I was posting here once every couple months. I wasn’t sharing much on other social media sites, either. What’s a photographer to do then? Shoot More – Share More!

I appreciated the question on several fronts. I’m not much for resolutions, but I like setting goals. As I considered the question, I realized that I hadn’t been out there as much and I definitely wasn’t sharing as much. And I found that I allowed my passion for photography to take a back seat to other things, and it was time to become passionate again.

And so, get ready for the onslaught! Not really. As I have tried to shoot more, I have been more discerning in my image choices. I’m not stopping for shots for which I may have stopped before. Even if I did stop and shoot, I’m looking at my images in the ‘digital darkroom’ with a more critical eye. What that means is that I expect a higher level in my photography which means more enjoyable images for you.

Let’s get to some images. Several years ago, I started noticing interesting trees along the roads, back roads, and trails I traveled. I started a series that I call Special Trees. No captions – I’ll let the images speak for themselves.

Enjoy – PHOTOROGR